The 100 Best Films of World Cinema #26
Widely considered one of the finest fantasy films of all time
This film version of La Belle et la Bete adds a subplot involving Belle's suitor Avenant, who schemes along with Belle's brother and sisters to journey to Beast's castle to kill him and capture his riches while the sisters work to delay Belle's return to the castle. When Avenant enters the magic pavilion which is the source of Beast's power, he is struck by an arrow fired by a guardian statue of the Roman goddess Diana, which transforms Avenant into Beast as Belle declares her love for the Beast and reverses the original Beast's curse. When the Beast comes back to life and becomes human at the end, he transforms into a Prince Charming with Avenant's handsome features, but without his oafish personality.
In the original tale, Belle has three brothers, whereas in the film, she only has one. Also in the original tale, Belle and her family are forced to move to a farmstead in the countryside after the loss of their fortune; in the film, they continue to live in their townhouse. Also in the original tale, the sisters are turned into statues as punishment for their cruelty, whereas in the film, they are merely forced to carry the train of Belle's gown at her wedding, though it is implied that they will now be her servants.
Jean Marais originally suggested to Cocteau for the beast to have a stag's head, obviously remembering a detail in the fairy tale (French: La Chatte blanche): The knocker at the gate to the castle of the princess/The White Cat has the form of a roe's foot. While this suggestion followed the narrative lines of its fairy tale origin and would have evoked the mythical echo of Cernunnos, the celtic stag-headed god of the woods, Marais' idea was nonetheless refused by Cocteau who feared that in the eyes of modern cinema audiences a stag's head would turn the beast into a laughing-stock.